Semester II Bibliography

Jer Nelsen

Advisor: Ben Sloat

Mentor: Alec Soth



Antonini, Marco, Sergio Minniti, and Francisco Gomez. Experimental Photography: A Handbook of Techniques. United Kingdom: Thames & Hudson, 2015. Print.

Bachelard, Gaston. The Poetics of Space. Boston: Beacon Press, 2013. Print.

Batchen, Geoffrey. Burning with Desire: The Conception of Photography. Cambridge (Mass.): The MIT Press, 1999. Print.

Baudrillard, Jean. Simulacra and Simulation. Ann Arbor: The University of Michigan Press, 2014. Print.

Berger, John. About Looking. London: Bloomsbury, 2009. Print.

—. Understanding a Photograph. Aperture, 2013. Print.

Brown, Brene. Daring Greatly: How the Courage to Be Vulnerable Transforms the Way We Live, Love, Parent, and Lead. United States: Avery Publishing Group, 2015. Print.

Burtynsky, Edward. Burtynsky Oil. Göttingen: Steidl, 2009. Print.

—. Manufactured Landscapes: The Photographs of Edward Burtynsky. Ottawa: National Gallery of Canada in association with Yale University Press, 2006. Print.

—. Quarries. Göttingen: Steidl, 2007. Print.

Carlin, John. “Sol LeWitt Wall Drawings: 1968-1981.” Art Journal 42.1 (1982): 62. Web.

Clarke, Victoria. Map: Exploring the World. N.p., 2015. Print.

Cotton, Charlotte. Photography Is Magic. United States: Aperture, 2015. Print.

Eggleston, William. The Democratic Forest. London: Secker & Warburg, 1989. Print.

Enfield, Jill. Jill Enfield’s Guide to Photographic Alternative Processes: Popular Historical and Contemporary Techniques. London, United Kingdom: Taylor & Francis, 2013. Print.

Flam, Jack. Robert Smithson: The Collected Writings. Berkeley: University of California Press, 1996. Print.

Florman, Monte. Testing: Behind the Scenes at Consumer Reports, 1936-1986. Mount Vernon  N.Y.: Consumers Union, 1986. Print.

Harmon, Katharine. The Map as Art: Contemporary Artists Explore Cartography. New York: Princeton Architectural Press, 2009. Print.

—. You Are Here: Personal Geographies and Other Maps of the Imagination. New York N.Y: Princeton Architectural Press, 2008. Print.

Hershman, Lynn. Women Art Revolution: Interview with Joyce Kozloff. New York N.Y:, 2006. Web. 24 Sept. 2015.

James, Christopher. The Book of Alternative Photographic Processes. United States: Delmar Cengage Learning, 2015. Print.

Klein, Alex. Words without Pictures. New York; New York; London: Aperture, Thames & Hudson, 2010. Print.

Koolhaas, Rem. “Junkspace.” October 100 (2002): 175–190. Web. 28 Sept. 2015.

La Grange, Ashley. Basic Critical Theory for Photographers. Amsterdam: Focal, 2007. Print.

Light, Michael. Lake Las Vegas. Radius Books, 2014. Print.

Maisel, David. Black Maps: American Landscape and the Apocalyptic Sublime. Göttingen: Steidl, 2013. Print.

—. Library of Dust. San Francisco: Chronicle Books, 2008. Print.

—. Oblivion. United States: Nazraeli Press, 2007. Print.

—. The Lake Project. Tucson  Ariz.: Nazraeli Press, 2004. Print.

McLuhan, Marshall, and Quentin Fiore. The Medium Is the Massage: An Inventory of Effects. United Kingdom: Penguin Books, 1971. Print.

Merewether, Charles. The Archive Documents of Contemporary Art. London: Whitechapel [u.a.], 2006. Print.

Mootee, Idris. Design Thinking for Strategic Innovation: What They Can’t Teach You at Business or Design School. United States: John Wiley & Sons, 2013. Print.

Morris, Errol. Believing Is Seeing: (observations on the Mysteries of Photography). New York: Penguin Group, 2014. Print.

Perrone, Jeff. “Approaching the Decorative.” Artforum Dec. 1976: 26. Web. 25 Sept. 2015.

Princenthal, Nancy. Joyce Kozloff. Co+ordinates. Ed. Phillip Earenflight. 1st ed. Carlisle, Pennsylvania: Trout Gallery Dickinson College, 2008. Print.

Reas, Casey, and Ben Fry. Getting Started with Processing: A Hands-on Introduction to Making Interactive Graphics. United States: O’Reilly Media, Inc, USA, 2015. Print.

Reynolds, Jock. Emmet Gowin: Changing the Earth. New Haven  CT: Yale University Art Gallery in association with the Corcoran Gallery of Art and Yale University Press, 2002. Print.

Rothstein, Barry. Phantograms from Nature, Western USA. United States:, 2005. Print.

Shore, Robert. Post-Photography: The Artist with a Camera. United Kingdom: Laurence King Publishing, 2014. Print.

Shore, Stephen, and Professor Stephen Shore. The Nature of Photographs. Baltimore: Johns Hopkins University Press, 1998. Print.

Smithson, Robert. “Frederick Law Olmsted and the Dialectical Landscape.” Artforum : 62–68. Print.

Sontag, Susan. On Photography. New York: Farrar  Straus and Giroux, 1977. Print.

Soth, Alec. Songbook: Alec Soth. MACK, 2015. Print.

Squiers, Carol. What Is a Photograph? Prestel, 2013. Print.

Szarkowski, John. The Photographer’s Eye. The Museum of Modern Art, New York;, 2009. Print.

“The Universal Texture.” N.p., 2012. Web. 15 Sept. 2015.

Tsai, Eugenie, and Robert Smithson. Robert Smithson Unearthed: Drawings, Collages, Writings. Columbia University Press, 1991. Web. 5 Nov. 2015.

Tufte, Edward R. “Envisioning Information.” Soil Science 153.6 (1992): 509. Web.

White, Kit. 101 Things to Learn in Art School. Cambridge  Mass.: MIT Press, 2011. Print.

Wilks, Brady. Alternative Photographic Processes: Evidence of the Photographer’s Hand. United Kingdom: CRC Press, 2015. Print.

Witkovsky, Matthew. “ANOTHER HISTORY: ON PHOTOGRAPHY AND ABSTRACTION.” Artforum Mar. 2010: 212–274. Web. 28 Sept. 2015.


Bibliography SUFA15 (All)

Bibliography SUFA15 (Semester Only)

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