SP2105 Bibliography

Jer Nelsen

Advisor: Judith Barry

Mentor: Brian Ulrich

Lesley University College of Art and Design (formerly Art Institute of Boston)





Alberro, Alexander. Conceptual Art: A Critical Anthology. Cambridge, Mass.: MIT Press, 1999. Print.

Anderson, Paul Allen. “About the Light : The Uncomfortable Worlds of Gregory Crewdson and Raymond Pettibon.” Art Papers JULY/AUGUST 2003 (2002): 12–13. Print.

Armstrong, Elizabeth. More Real?: Art in the Age of Truthiness. Munich: Minneapolis Institute of Arts and DelMonico Books; Prestel, 2012. Print.

Barrett-Lennard, John. “Jeff Wall : Looking at the Unseen.” Art Monthly Australia 2013: 29–31. Print.

Barthes, Roland. Camera Lucida: Reflections on Photography. New York: Hill and Wang, 2010. Print.

—. Mythologies the Complete Edition, in a New Translation. [Old Saybrook, Ct.] : Tantor Media, 2012. Print.

BBC. Anselm Kiefer: Remembering the Future. UK: BBC, 2014. Film.

Biro, Matthew. “From Analogue to Digital Photography: Bernd and Hilla Becher and Andreas Gursky.” History of Photography. London: Routledge, 2012. Print.

Blalock, Lucas. “Jeff Wall: On Pictures.” Aperture 2012: 41–49. Print.

Bolton, Richard. The Contest of Meaning: Critical Histories of Photography. Cambridge, Mass [u.a.]: MIT Press, 1993. Print.

Bruckle, Wolfgang. “Almost Merovingian: ON JEFF WALL’S RELATION TO NEARLY EVERYTHING.” Art History 32.5 (2009): 977–995. Web. 22 Feb. 2015.

Campany, David. The Open Road: Photography & the American Road Trip. Aperture, 2014. Print.

Conley, Christine. “MORNING CLEANING: JEFF WALL AND THE LARGE GLASS.” Art History 32.5 (2009): 996–1015. Web. 22 Feb. 2015.

Cotton, Charlotte. The Photograph as Contemporary Art. London: Thames & Hudson, 2011. Print.

Crewdson, Gregory. Gregory Crewdson, 1985-2005. Ostfildern: Hatje Cantz, 2007. Print.

Crewdson, Gregory, and Bradford Morrow. “Gregory Crewdson.” BOMB 61.61 (1997): 38–43. Print.

Dexter, Emma. Vitamin D: New Perspectives in Drawing. London; New York: Phaidon, 2012. Print.

Dusseault, Ruth. “People in Place: The Photographs of Andreas Gursky.” Print.

Emerling, Jae. Photography History and Theory. London: Routledge, 2012. Print.

Evans, Walker. American Photographs. New York, NY: Museum of Modern Art; Distributed in the United States and Canada by ARTBOOK, 2012. Print.

Fabozzi, Paul. Artists, Critics, Context: Readings in and around American Art since 1945. Upper Saddle River, N.J.: Prentice Hall, 2002. Print.

Feaster, Felicia. “Interview with Gregory Crewdson.” Art Papers 1996: 17. Print.

Foster, Hal. The Anti-Aesthetic: Essays on Postmodern Culture. Port Townsend, Wash.: Bay Press, 1983. Print.

Fried, Michael. “Art and Objecthood.” Great decade of American abstraction. (1974): Print.

—. Why Photography Matters as Art as Never before. New Haven: Yale University Press, 2010. Print.

Gompertz, Will. What Are You Looking at?: The Surprising, Shocking, and Sometimes Strange Story of 150 Years of Modern Art. Tantor Media, 2013. Print.

Gopnik, Adam. Walking the High Line. Göttingen: Steidl, 2012. Print.

Gronert, Stefan. The Düsseldorf School of Photography. New York, NY: Aperture, 2010. Print.

Heartney, Eleanor. Art & Today. London; New York: Phaidon Press, 2008. Print.

Hirsch, Robert. Seizing the Light. Boston: McGraw-Hill, 2000. Print.

L’Engle, Madeleine. Walking on Water: Reflections on Faith and Art. New York: North Point Press, 1999. Print.

Lageira, JacintoBarnard, Timothy, tr. “Andreas Gursky: L’enfer Du Monde / Andreas Gursky: A Hellish World.” Parachute 110 (2003): 56–75. Print.

MacDonald, Gordon. “Jeff Wall.” Photoworks 2006: Print.

McLuhan, Marshall. Understanding Media: The Extensions of Man. N.p., 1964. Print.

Merewether, Charles. The Archive. London; Cambridge Mass.: Whitechapel; MIT Press, 2006. Print.

Merritt, Naomi. “Manet’s Mirror and Jeff Wall’s Picture for Women: Reflection or Refraction?” Melbourne Art Journal 4 (2009): Print.

Millar, Jeremy. “In Praise of Blandness: Finding Perfection in the Neutrality of Andreas Gursky’s Photographs.” Print.

Mitchell, William. The Reconfigured Eye: Visual Truth in the Post-Photographic Era. Cambridge, MA. ; London: The MIT Press, 1994. Print.

Nanay, Bence. “The Macro and the Micro: Andreas Gursky’s Aesthetics.” The Journal of Aesthetics and Art Criticism 70.1 (2012): 91–100. Web. 22 Feb. 2015.

Newman, Michael. Jeff Wall: Works and Collected Writings. Barcelona: Polı́grafa, 2008. Print.

Oard, Brian A. Beauty and Terror: Essays on the Power of Painting [Kindle Edition]. Kindle. Amazon Digital Services, Inc., 2012. Web. 28 Apr. 2015.

Ohlin, Alix. “Andreas Gursky and the Contemporary Sublime.” Art Journal 61.4 (2002): 22. Web. 22 Feb. 2015.

Oliver, Alexandra. “Illuminating Obscurity : An Interpretation of the Relationship between Jeff Wall and Édouard Manet.” Journal of Visual Art Practice 12.1 (2013): 109–115. Web.

Onorato, Taiyo. Taiyo Onorato & Nico Krebs: The Great Unreal. Zurich: Edition Patrick Frey, 2009. Print.

Perkins, Emma Gillespie. “Photo Opportunities: Contemporary Photographers Cindy Sherman and Jeff Wall as Models for Artistic and Teaching Identities.” Art Education 2008: 102–107. Web.

Redstone, Elias. Shooting Space: Architecture in Contemporary Photography. Phaidon, 2014. Print.

Schartz, Melissa A. “CONSTRUCTING THE REAL: THE NEW PHOTOGRAPHY OF CREWDSON, GURSKY AND WALL.” University of Kentucky Master’s Theses. 2011. Web. 22 Feb. 2015.

Shapiro, Ben. Gregory Crewdson Brief Encounters. New York, NY : Zeitgeist Films, 2012. Film.

Shore, Stephen. American Surfaces. Berlin: Phaidon, 2008. Print.

—. Stephen Shore: Uncommon Places: The Complete Works. Aperture, 2004. Print.

Sontag, Susan. On Photography. New York: Farrar, Straus and Giroux, 1977. Print.

Staniszewski, Mary. Believing Is Seeing: Creating the Culture of Art. New York: Penguin, 1995. Print.

Steyerl, Hito. The Wretched of the Screen. Berlin: Sternberg Press, 2012. Print.

Thomson, Ellen Mazur. “Thorsten Veblen at the University of Chicago and the Socialization of Aesthetics.pdf.” Massachusetts Institute of Technology Design Issues 1999: 3–15. Print.

Thornton, Sarah. Seven Days in the Art World. Old Saybrook, Conn.: Tantor Media, 2015. Print.

Tice, George. George Tice: Urban Landscapes. New York: Norton, 2002. Print.

Wall, Jeff. Jeff Wall: The Complete Edition. London: Phaidon, 2009. Print.

Westerbeck, Colin. Joel Meyerowitz. Berlin: Phaidon, 2014. Print.

Wittusen, Cato. “Exalting Points of View.” The Nordic Journal of Aesthetics 43 (2012): 33–52. Print.


SP2015 Bibliography

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